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ALPS, LAKES AND SEA BETWEEN FLORENCE AND ROME ROME & NAPOLS SICILY SARDINIA
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SIENA

SIENA, second only to Florence in beauty among Tuscan cities. It rises on three low hills; its atmosphere has something of fantasy and something of mystical; the purest Italian is said to be spoken here.

It was originally an Etruscan city, then Roman, then a medieval Commune whose existence was tormented by fierce internecine struggles, wars, plagues, and invasions. It finally fell to the Medici.

On arrival, let us go at once to the Piazza dal Campo; it has the form of a scallop-shell; eleven street converge on it; it is dominated by the greatest Gothic building in Tuscany, the Palazzo Pubblico (1309) in stone and brick and the slim Torre del Mangia, the Mangia Tower (1348). Here architecture, sculpture and painting call the visitor's attention, but there are three masterpieces here which we have described elsewhere (See "The Ten Capitals of Italian Painting"). These are the Maesta (1315) and the richly imaginative Portrait of Guidoriccio do Fogliano (1328) by Simone Martini, and the largest cycle of paintings on a profane subject in the Middle Ages, "Good Governance " by Ambrogio Lorenzetti (1339).

As usual, let us devote the evening of our arrival to a tour of the city's medieval streets and piazzas, keeping the following day for visiting its wonderful Museums. The first is the Picture Gallery in Palazzo Bonsignori, to be reached from the Piazza up the lively Via di Citta and Via di San Pietro. From the Gallery we can go on to Santa Maria del Carmine, 14th century, with important works of art, and from here, through Via Stalloreggi to the huge monumental complex of the Cathedral and the Baptistery. The Cathedral whose structure reminds us of that of Orvieto, is one of the most remarkable Gothic buildings in Italy. The central part of the present church was built between 1196 and 1215, while a fantastic enlargement which had been planned was abandoned owing to the plague of 1348 (the "Black Death") which prostrated the city. Only the unfinished walls remains of this mighty architectural dream. The only thing we can do with the multitude of Sicna Cathedral's art treasures is give a short and incomplete list -the carved Pulpit by Nicola Tissue, the Floor of inlaid marble, the monumental Piccolomini Altar. Another important Museum is that of the Opera del Duomo (Cathedral Museum) at the side of the Cathedral with an important collection of statues by Giovanni Pisano, and the wonderful Maesta by Duccio di Buoninsegna (1311).

From the Cathedral we may walk down the picturesque Via Galluzza passing the graceful House of St. Catherine, transformed into a sanctuary in the 14th century to the impressive Gothic basilica of San Domenico, with its fretted bell-tower (interior: fine frescoes: Portrait of St. Catherine of Siena by Andrea Vanni), and going past Via delle Terme we arrive at Palazzo Salimbeni, with its fine Gothic windows and from here through Via dei Rossi to the great church of San Francesco (1326-1475) with important frescoe by Lorenzetti. After San Francesco, passing the 15th century Oratory of San Bernardino, we pass from Via dei Rossi into Via Banchi di Sopra and Palazzo Tolomei (13° cent.), the finest medieval private dwelling in Tuscany. From here we keep on for Piazza del Campo, to the elegant Loggia della Mercanzia and into Via ch Banchi di Sella, with Palazzo Piccolomini. After this comes the elegant 15° century Loggia del Papa with the church of San Martino beside it. If we go along Via San Martino we come to another fine church, Santa Maria dei Servi, standing among cypresses in an isolated position, full of numberless paintings of the Sienese School. Of course, we do not claim to have described the whole of Sicna-there is much else to be discovered, such as the State Archives and the Archaeological and Etruscan Museum, the interesting tour of the City Gates, the Convent of the Osservanza in the environs, or the Castle of Belcaro. But after our second night at Siena, we must set off on the last day of our journey, to two other enchanting medieval cities, Volterra and San Gimignano. Leaving Sicna by the Via Cassia one arrives at Cone Val d'Elsa a medieval city perched on two hills, with fine 13° century churches (Sant'Agostino, San Pietro), a fine Bishop's Palace and mighty fortifications. Leaving by the impressive Purist Volterrana, after 27 km. (17 mi.) of beautiful scenery we arrive at VOLTERRA.


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STAGES OF THE CIRCUIT:
"Between Florence and Rome"

Florence
Arezzo
Cortona
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Orvieto
Tuscania
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